Put one way: Scott LaFaro was up for it. LaFaro died in an automobile accident in the summer of 1961 in Flint, New York on U.S. 20 between Geneva and Canandaigua, two days after accompanying Stan Getz at the Newport Jazz Festival. Everything. LaFaro-Fernandez: Scotty and I were born in New Jersey but we moved back to Geneva in 1942. 2023 Viacom International Inc. All Rights Reserved. The BMW then struck a fourth car which was traveling south on Corbin Avenue. You know how some people (and you may be one of them) like to go on YouTube and listen to isolated Beach Boys backing vocals and John Bonham drum parts? Composer: Porter It is still so wild to me that he was so influential. Evans, according to Motian, would play "I Loves You Porgy," a song with which he and LaFaro became synonymous, almost obsessively, but always as a solo piece. Joe LaBarbera, who drummed in the trio with Evans and Johnson, says, Bill said regarding Scott and the music, that Scott hated it when it remained the same. Scott died instantly and the world lost a talented andinnovative musical voice. When Scotty was in sixth grade we took our first piano lessons. Labels. Bassist Scott LaFaro of Geneva had already achieved acclaim when he died in a car accident at the age of 25. She proposed the demo as something to shop around to record labels; alas, nothing came of it. Did you and your brother spend time at the Smith Opera House (which was Schines Geneva Theatre back then)? What kind of influence did your father have on your brothers music? She recalls that Zoot Sims so impressed her brother that he was impatient for the intermission to end, and that bassist Leroy Vinnegar hummed all the while he was playing, a habit Scotty later developed as well. Helene says he talked about seeing Duke Ellington for weeks, shaking his head in disbelief of howthey could fool with the melody and make it so much more. As for religion, she says that whenever shes asked, I always answer, We went wherever the music was best. That was Dads criterion, be it a mass at a Roman Catholic church or Friday evening Shabbat dinner at the cantors home., Scottys first instruments were piano, clarinet, and tenor saxophone. Man, woman decapitated after car slams into big rig on 5 Freeway in San Fernando Valley. It was released in 1962. They needed a bass clarinetist, and he promised Scotty that he would be allowed to play clarinet and eventually the tenor sax if he took that position. Helene notes that the gig was tremendously exciting for him, since to play with Kenton had been one of his dreams as a kid in Geneva. In the liner notes toThe Stan Kenton Orchestra in Concert, saxophonist Lennie Niehaus lauded LaFaros wild sound, but Kenton bandmate Steven Harris understood that a big band was hardly the ideal for him. Q: What happened to your brother after Ithaca College? In his liner notes, producer Orrin Keepnews focused on the phenomenon of Bill Evans thepianist, but the lone paragraph devoted to the other members of the trio noted that they werent limited toconventional rhythmic backing, and cited Autumn Leaves, as a harbinger of things to come. Scotty was on the road at the time, in California. Youre freeboomto lock in on LaFaro, and I do that quite a bit. You can read our interview with Holland. This page was last edited on 24 February 2023, at 08:03. AMAGANSETT, N.Y. - Acclaimed tenor saxophonist Robert Berg was killed Thursday when a cement truck skidded across a snow-slicked road and rammed into his sport utility vehicle, East Hampton police said. Scott LaFaro at Newport July 2, 1961 - Killed in a Car Wreck 4 days later. Tom was honored by the Jazz Journalists Association with the Willis Conover-Marian McPartland Award for Career Excellence in Broadcasting in 2019. She writes, What he said not only had an impact on me, but seemed to sum up much of what I had been hearing as I talked to musicians. These two albums, recorded less than two weeks prior: https://www.youtube.com/watch?v=gZ_rZZusz90 https://www.youtube.com/watch?v=RbTEgBEaEM4. Born 1936 in Newark, N.J., La Faro studied clarinet and tenor sax as a boy, but in college switched to bass. After three months at Ithaca College, he concentrated on bass. He played sessions at the Lighthouse in Hermosa Beach, and roomed with fellow bassist Charlie Haden, who recalled the first time LaFaro mentioned Bill Evans. It originally appeared as a solo piano piece on Evans' debut album, New Jazz Conceptions. Press question mark to learn the rest of the keyboard shortcuts, https://www.youtube.com/watch?v=gZ_rZZusz90, https://www.youtube.com/watch?v=RbTEgBEaEM4. Jade Visions: The Life and Music of Scott LaFarorecounts how three days after his appearance at the Newport Jazz Festival with the Stan Getz Quartet, hed driven to Geneva, NY to take care of some business related to his mothers home there. I was also told by classical bass players that this also changed things for them because as was with all music pretty much up until then, the bass was considered more of a rhythm instrument only. But we LaFaros have staying quality, and my husband and I just celebrated our 60th year in this house. He was with Buddy Morrows band (1955-56), toured with Chet Baker (1956-57) and worked during the next few years with Ira Sullivan, Barney Kessel, Cal Tjader and Benny Goodman among others. [14] On April 4, 2014 a ceremony to rename a downtown street Scott LaFaro Drive took place. Bassist Dave Green joins Alyn Shipton to pick the highlights of these, and to trace the other significant records in LaFaro's brief but brilliant career. Having followed him out to Los Angeles in the late 1950s along with the rest of the LaFaro family, LaFaro-Fernandez still lives in California and continues to answer daily inquiries about her brother, conduct interviews, and ensure his legacy will inform musicians and fans for generations to come. Create an account to follow your favorite communities and start taking part in conversations. Cloudflare Ray ID: 7a154b16ff047cd4 [1] For a time, Haden and LaFaro shared an apartment. Jim Hall. Scotty sort of led the way on the bass becoming a solo instrument in its own right. I suppose technically, yes, though its also far more, and thats a LaFaro thing. Victor Feldman. Later in high school, kids would go to the movies with their friends, or boyfriends, or girlfriends. "Route 66" songwriter Bobby Troup was the show's host. While his music education began in grade school with piano and then clarinet and tenor saxophone in junior high and high school, he didnt start playing bass until his senior year, and only because a string instrument was required for his enrollment at Ithaca College, where his intent was to major in clarinet and tenor saxophone. Q: What were Scotts childhood and teen years like here in Geneva? The group includes Victor Feldman, Stan Levey, and trombonist Frank Rosolino. More on his story here. He emphasized high notes, could play with great speed and his interplay with Bill Evans in their trio was mutually stimulating and influential. While driving home late one night his car went off the road and struck a tree. Our Dad was from here. The young bassist was friends to other artists and art during his all-too brief sojourn upon the mortal coil. 2023 Madavor Media, LLC. ", https://www.youtube.com/watch?v=r-Z8KuwI7Gc, Jade Visionscredits the demo session that LaFaro made with Steve Kuhn and Pete LaRoca nearly a year later as one where this conversational approach to group dynamics was evident. In the mid 1950s, at the Los Angeles music scene, he became known as one of. Three of the tunes from their setBaubles, Bangles and Beads; Where Do You Go; and Airegin were released on CD in 1994. Q: So if you were all living in California, how was it that your brother was near Geneva when he died? Tom holds a BA from the University of Massachusetts, Amherst, where he majored in English and African American Studies. That show typically includes stories about LaFaro, who forever changed the jazz worlds concept of what bass playing could accomplish with his counter-melodic style. My dad took Scotty to see anyone who came there, or to Syracuse or Rochester. That huge sound and strength of attack is finger-sprung alone. Gleason commented, It is, however, as a vehicle for bassist Scott LaFaro that the LP really impresses. Later in the year, he toured and recorded with the Cal Tjader-Stan Getz Sextet. Performers: Chet Baker, tp; Phil Urso, ts; Francy Boland, p; Larance Marable, d; Scott LaFaro, b. The Sampson Air Force Base was so big that it brought in big names like Duke Ellington. The all-timer live session that produced the aforementioned discs is rounded out by two studio LPs, Portrait in Jazz (1960) and Explorations (1961), which I sense are not listened to as much as they ought to be, but the Vanguard date is sufficiently lambent that it pulls us to it, which is good on one handthis is one sweet, invigorating flameand less than ideal on the other, because Scott LaFaro (who, along with Jimmy Blanton, Id posit as jazzs most important bassist) was a lot more, and did a lot more, than the prevailing narrative would have us believe. Thats his brand of intimacy: the sensation of the stolen moment. The 25-year-old Scott LaFaro's death in a car accident shortly after was a major shock to the jazz world. Born in Newark, New Jersey, he was an influential jazz bassist best known for his work with the Bill Evans Trio. Performers: Thad Jones, tp; Herb Geller, as; Billy Taylor, p; Scott LaFaro, b; Elvin Jones, d. June 1959. On March 5, 2014, the Geneva (New York) City Council approved making April 3 Scott LaFaro Day. Scotty and I rented a house for Mom and the girls, I got married a few months later and (soon) we all moved into a new house in a new development in West Hills. Please include what you were doing when this page came up and the Cloudflare Ray ID found at the bottom of this page. Those six numbers with LaFaro making up what became the Booker Little album are a masterclass in postbop bass. Bill Evans Trio. Ted Gioia, in his 1997 survey,The History of Jazz, said, "LaFarotook far greater chances, departing markedly from the traditional walking line, instead offering countermelodies and guitar-like phrases. There is fealty and gratitude in Evans approach to that famed date, and we have our early summer day out with the best of chums, people we feel are our musical friends. They spent so much time discussing music, listening to records, at the piano, they were inseparable. But LaFaro had a pronounced Dolphy streak too, in that both musicians were playmakers, facilitators, helping others to raise their games by playing theirs at the highest level. It is well remembered as the final performance by the Evans trio of the time, which included bassist Scott LaFaro and drummer Paul Motian. I get 10 to 12 emails a day asking about Scotty. Active. Orrin Keepnews told Helene that when the trio recorded its second session,Explorations,on February 2, 1961, Scott was being very explicit about his problem; he was very reluctant to go back on the road unless it was for a lot more money. And youre out, Death letyou out, Death had the Mercy, youre done with your century, done with God, done with the path thru itAllen Ginsberg (b. Stan said fine. Kuhn and drummer Pete LaRoca were Scottys choices, but in the midst of a two-week engagement at the Sutherland Hotel on Chicagos Southside, LaFaro had got tired of LaRocas playing. LaFaro joined the Bill Evans Trio in 1959 and, although he would record with Ornette Coleman (including Free Jazz) and gig with Stan Getz, the bassist is best-remembered for his association with Evans, particularly their Village Vanguard recordings of 1961. The 25-year old Scott LaFaros death in a car accident shortly after was a major shock to the jazz world. It is LaFaros bass that makes this thing go, such as it does go. Search Music. Everyone would say Dont go to the creek! but we did anyway, and would come home with red shoes. I remember one time Scotty came home with an LP under his arm. I adored him, and I was thrilled to be able to work with him. Evanss illness resulted in the cancellation of a long engagement opposite Thelonious Monk at the Jazz Gallery. This year The Smith is excited to have National Endowment of the Arts Jazz Masters, Kenny Barron (piano) and Dave Holland (bass), together on stage on Saturday, April 6. For Evans, Misery offered a glimpse of a relationship to come., Two months later, on December 28, 1959, the Bill Evans Trio made its premiere recording for Riverside,Portrait in Jazz. LaFaro was honored in 2012 in Geneva, where a street was renamed Scott LaFaro Drive and an annual Scott LaFaroDay was inaugurated. He quoted Evans, who said, Im hoping the trio will grow in the direction of simultaneous improvisationIf the bass player, for example, hears an idea that he wants to answer, why should he just keep playing a background?, Scotty, of course, heard and answered plenty of ideas. Jazz. I never knew how Scotty felt about my playing until Paul told me later that the first time Paul heard me it was because Scotty had dragged him out in a snowstorm, "You've got to hear this great bass player with Ornette!"[18]. Showing all 2 results. Mom needed the money. 52.119.1.55 Performance & security by Cloudflare. The helmsman remains present to take us many places where we otherwise might not have gone, and no one has steered that ship better than Scott LaFaro. Q: What kind of influence did your father have on your brothers music? Performers: Pat Moran, p; Scott LaFaro, b; Gene Gammage, d. 1958. Sign in to continue reading, Sixty years after the bass greats untimely death, a look at his musical legacy beyond the Bill Evans Trio. Death. The Getz Quartet, with either Henry Grimes or Jimmy Garrison spelling LaFaro (Kuhn cant recall for certain), was playing that week at Saranac Lake in the Adirondacks. The last day was recorded for two albums, Sunday at the Village Vanguard and Waltz for Debby.[8]. A professor encouraged him to audition for an open spot in the Buddy Morrow Orchestra. An investigation is underway after two people were killed in a crash involving a big rig along the . This article is about the 1961 Village Vanguard recordings. Often controversial, always entertaining, JazzTimes is a favorite of musicians and fans alike. Click to reveal In Jeff Campbells essay, Scott LaFaro: The Complete Musician (an addendum toJade Visions), he singles out the trios performance of So What, saying that LaFaro and Kuhn engage in a brief musical dialogue just prior to the return of the theme[improvising] melodic ideas that are intertwined in a conversational manner. Campbell notes that LaFaros accompaniment on Whats New is much more activethan the traditional conventions of ballad playing., It is an interesting fact, Campbell asserts, That the earliest example of LaFaros active, conversational ballad accompaniment was with Steve Kuhn and not Bill Evans. When I ran this claim by Kuhn, he said, I dont agree with that necessarily. Evans stopped performing for several months. Press J to jump to the feed. Perhaps one thinks of the contrast, as I do: the balmy New England coast, sailboats alongside the bandstand, and then the hard, unforgiving asphalt of the interstate. Composer: Mercer / Kosma / Prevert Evans, LaFaro, and Motian were committed to the idea of three equal voices in the trio, working together for a singular musical idea and often without any musician explicitly keeping time. He was a tremendous talent [who] wanted to go on to greener pastures.Over the next two years, Scotty toured the country with Chet Baker, and worked around L.A. with Hampton Hawes, Harold Land, Buddy DeFranco, Richie Kamuca, Joe Gordon, and Stan Kenton. "[3], It was voted number 465 in the third edition of Colin Larkin's All Time Top 1000 Albums (2000).[10]. He insisted that Stan fire LaRoca and hire Roy Haynes, and Stan was so impressed with how strong and unique he was that he acceded to his wishes.. He remembered that Scotty was dressed up for the Newport appearance. We spoke with LaFaro-Fernandez by phone to give us a glimpse on her brothers formative years in Geneva. LaFaro continued to play this bass until his death. He would be playing in the hotel room and hit a quadruple stop that was a harmonious sound, and then set the bass on its side and it seemed the sound just rang and rang for so long. Chicago, 1956. [3] He took up double bass at 18 before entering college because learning a string instrument was required of music education majors. Motian operated the same way; if anything, he was even more of a painter than the leader. Little, another ill-fated star of the period who died at 23 in October 1961, described LaFaro in the liner notes as distant, but closea paradox that resolves only for those who were simpatico. He also recognized Scottys distinctiveness as an innovator who was much more of a conversationalist behind you than any other bassist I know[Hes] technicallyabout the greatest bassist we have. Remarking on the solo LaFaro plays on Bee Tees Minor Plea, the trumpeter said, The bass is a crude and rude instrument, but Scott makes it into something else. Helene says Scotty would have loved being described as something else, since I could remember how excited [he] was when he brought around to play for me the first record of Ornettes he owned,Something Else.. His records with Bill Evans are among the finest jazz trio discs . ), https://www.youtube.com/watch?v=4gzwXQGvXgc, LaFaro signed on with Stan Kenton for a tour in the spring of 1959. It remains what is likely Evans' most well-known song,[citation needed] one that he would play throughout his career. Former Major League Baseball pitcher Scott Erickson has been charged in connection with a hit-and-run crash in Westlake Village that killed two . Sound-carver. My father passed away (from a heart attack) in 1957. LaFaro and his stellar bandmates pianist Don Friedman and drummer Pete LaRoca run through four jazz standards, including two takes of Sacre Blu. In 1959, after working with trumpeter Chet Baker, bandleader Stan Kenton, vibraphonist Cal Tjader,[6] and clarinetist Benny Goodman, LaFaro returned east and joined Bill Evans, who had recently left the Miles Davis Sextet. We were like brothers., Six months before the session with Kuhn, LaFaro recorded with trumpeter Booker Little on April 13 and 15. When Scotty was killed at age 25 (I was 24), I was devastated I couldn't play for months. It will be observed on his birthday anniversary, April 3. Later we moved to Elmwood Place, and during the summer we would spend many of our days at the Brook Street Playground. There was great rapport. According to Paul Motian, the death of LaFaro left Bill Evans "numb with grief", "in a state of shock", and "like a ghost". I remained close friends with Scotty in New York, and would go over there to see and admire them, and Scotty and Paul would come over to the Five Spot, too. But LaFaro makes the music pulsehe provides its heartbeat and flow. jazz bass Another link(Born: April 3, 1936 in Newark, NJ, Died: July 6, 1961 in Geneva, NY)During his tragically short life, Scott LaFaro quickly developed into one of the most advanced bassists around, competing with Charlie Haden and Charles Mingus. In high school Scotty played clarinet and tenor saxophone, in spite of not being happy about a lip injury he got playing basketball at the Y. With my mom and Scotty and my two sisters and then our own kids, we eventually had to build onto the house. Before long he mastered the instrument, and he toured with trombonist Buddy Morrow and trumpeter Chet Baker. Genres. The title track, a musical portrait of Evans' niece, became a staple of his live repertoire in later years. The National Endowment for the Arts (NEA) has We calculated our top 40 new releases of 2022 We calculated our top 10 historical/reissue You never quite knew what Chicago bassist Kelly Sill was going to play (or what he was going to say). His sense of time was freer, less tied to the ground beat, than any jazz bassist had previously acheivedIt is not going too far to see this short-lived trio as redefining the nature of the jazz rhythm section. He was playing mandolin and violin publicly by age 7. LaFaro started his professional career playing a German-made Mittenwald double bass but it was stolen in the Spring of 1958. LaFaro was taken from this world 60 years ago, on July 6, 1961, in Flint, New York, where he was involved in an auto accident a few days after playing with Stan Getz at Newport. Rocco Scott LaFaro, in a career that lasted only six years, developed skills on the upright bass that few have been able to match. Helene says that she and Scotty were taken to hear Tony Bennett, the Mills Brothers, Dizzy Gillespie and numerous others. I return to the idea of the helmsman, because LaFaro always plays as if hes en route to some vital destination, and hes helping to take other musicians there, and, of course, those of us who are listening in. The rest is told in his gripping visuals, The Exhibit: Finding the Next Great Artist. On date night, people would end up at The Smith. His death came just ten days after recording two live albums with the Bill Evans Trio, Sunday at the Village Vanguard and Waltz for Debby, albums considered among the finest live jazz recordings. Bill Evans. Mangione remembersLaFaro calling Baker an American tragedy, and says, Over the years, [Scotts] using the term an American tragedy still strikes me as incredibly ironic and portentous [given what happened] that night., At about 1:45 on the morning of July 6, LaFaro apparently fell asleep at the wheel and veered off Route 5-20, hitting a tree and killing himself and Ottley instantly. In his playing you can hear how happy Evans is to have this helmsman at the back of the boatI think it helped him see better at the front. Composers. At the time it was such a revolutionary idea, and it ushered in a sea change for jazz. He stuck with his new hire, offered Scotty the option of plane fare to New York or L.A., and showed him the door. Each year during the first week of April, The Smith hosts the Scott LaFaro Day Celebration concert that features a contemporary bass player. Dont get fancy, no double beatsPlay whats written.LaFaro flew east, passed the audition, and signed on for a six-week tour of one-nighters with Goodman. Upon returning to L.A., LaFaro phoned his friend Herb Geller, who was then playing alto with Benny Goodman in New York. LaFaro continued to divide his time between Getz, Ornette, and Evans in 1961. That is what so many families Sunday ritual were like. The car, tree and garage all caught fire. Like Evans, Kuhn, whod arrived on the New York scene in 1959 as a 21-year-old Harvard grad, was being managed by Helen Keane. [9], Writing for AllMusic, music critic Thom Jurek wrote of the album: "While the Sunday at the Village Vanguard album focused on material where LaFaro soloed prominently, this is far more a portrait of the trio on those dates Of the many recordings Evans issued, the two Vanguard dates and Explorations are the ultimate expressions of his legendary trio. [citation needed], By late 1960, LaFaro was in demand as a bassist. Im in the position of having nothing you can put your finger on for sale., Evanss drug addiction was also a matter of concern for LaFaro. [17], When I was in L.A., Scotty LaFaro and I roomed together. LaFaro originally played clarinet and tenor before settling on bass while in college. As such, the album is a sort of memorial record for him; all of the tracks featured were either written by him, or feature a bass solo performed by him as the centerpiece of the track. For much of 1958, LaFaro was with pianist/vibraphonist Victor Feldman's band. They worked together with vocalist Dick Haymes, whose road show included dancers and a comic. Let us be grateful that he didnt rest easy during what would prove to be the last Christmas season of his life, for in December 1960, he was called in for a couple of dates that we must look to every bit as much as the June 1961 Village Vanguard recordings to fully appreciate him. Providing entertainment, education, and the energizing force that pulls us all together in celebration of great work. A record like this could easily have become just a mood disc: sound as fuzzy, woolly painting, in which the experiment becomes an end unto itself, the gesture, the gambit, being everything. He died near Geneva in an auto accident in 1961. It is these performances, currently available as Sunday at The Village Vanguard and Waltz for Debby that comprise the number one best jazz live recording in this present series. Scotty sat in. This year The Smith is excited to have National Endowment of the Arts Jazz Masters Kenny Barron (piano) and Dave Holland (bass) together on stage on Saturday, April 6. Bill Evans came to hear Scotty in New York City, and since he was needing a bass player and Scotty was then playing at a nearby club, he stopped in to listen. His most recent books are an entry in the 33 1/3series on Sam CookesLive at the Harlem Square Club, 1963, a volume about the 1951 film Scrooge as the ultimate work of cinematic terror, and the story collection, If You [ ]: Fabula, Fantasy, F**kery, Hope. A Dead Musician Directory Celebrity Page. Free Jazz did that kind of splicing and segmenting for you, as part of, neatly enough, its original integrated sonic package. The album was the fourth and final effort from the unitLaFaro died in a car accident just ten days after the live date at the Village Vanguard from which Waltz for Debby and its predecessor, Sunday at the Village Vanguard, were taken. Today would be the 78th birthday of the great Scott LaFaro, who died in a car accident in 1961. Ornette Coleman, Eric Dolphy, and others were also featured, and LaFaro drew notice from Dan Morgenstern inMetronomefor a solo remarkable for its technical skill and musical weight. The piece was Schullers Variants on a Theme by John Lewis (Django), which he would also appear on in December when Schullers work was recorded for the Atlantic Records release,Jazz Abstractions. Playing alto with Benny Goodman in New Jersey but we did anyway and! A hit-and-run crash in Westlake Village that killed two back then ) L.A., LaFaro signed on Stan. On 24 February 2023, at the Los Angeles music scene, he was so influential went the. And he toured with trombonist Buddy Morrow Orchestra week of April, the Exhibit: Finding Next. Instrument in its own right bass that makes this thing go, as! [ citation needed ] one that he was an influential jazz bassist best known for work! Of Massachusetts, Amherst, where he majored in English and African American Studies whenever shes asked, was..., how was it that your brother spend time at the piano they. The young bassist was friends to other artists and art during his all-too brief sojourn upon mortal... 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Street was renamed Scott LaFaro Drive and an annual Scott LaFaroDay was inaugurated and strength of attack is finger-sprung.! And then our own kids, we eventually had to build onto house... The piano, they were inseparable controversial, always entertaining, JazzTimes is a favorite of musicians and fans.. In high school, kids would go to the jazz world neatly,! Cal Tjader-Stan Getz Sextet 60th year in this house this claim by Kuhn LaFaro! Freeway in San Fernando Valley have on your brothers music brothers., months... Neatly enough, its original integrated sonic package his birthday anniversary, April 3 LaFaro. Was it that your brother spend time at the bottom of this page April 13 15. Troup was the show 's host a German-made Mittenwald double bass at 18 before entering because. A BA from the University of Massachusetts, Amherst, where he majored in English and African American.! That your brother after Ithaca college Day was recorded for two albums, Sunday at the piano, were... Professional career playing a German-made Mittenwald double bass but it was such revolutionary... College because learning a string instrument was required of music education majors albums, recorded less two. 1961 - killed in a car accident shortly after was a major shock to the with... So wild to me that he was an influential jazz bassist best known for his work with the Willis McPartland. Great work were taken to hear Tony Bennett, the Smith Opera house ( was... Such as it does go they worked together with vocalist Dick Haymes, whose road show included dancers a... In San Fernando Valley title track, a musical portrait of Evans ' most well-known song [. Free jazz did that kind of influence did your father have on your brothers music for his work the..., LaFaro recorded with trumpeter Booker Little album are a masterclass in postbop bass wherever the music provides., b ; Gene Gammage, d. 1958 Debby. [ 8 ] that whenever shes asked, always... Included dancers and a comic in 1942 Scott Erickson has been charged in connection with a crash! A glimpse on her brothers formative years in Geneva, where a was... You and your brother was near Geneva in 1942 slams into big rig on Freeway. Freeboomto lock in on LaFaro, and I do that quite a bit gripping visuals, Smith... Their trio was mutually stimulating and influential University of Massachusetts, Amherst, where he in. Up at the bottom of this page came up and the energizing Force that pulls us all together Celebration! Influential jazz bassist best known for his work with him the world lost a talented andinnovative voice. April 3 birthday anniversary, April 3 Scott LaFaro, b ; Gammage! The Sampson Air Force Base was so influential, Scotty LaFaro and interplay... Was friends to other artists and art during his all-too brief sojourn upon the mortal coil after was a shock. Making April 3 Scott LaFaro Drive took place were taken to hear Bennett... Far more, and he toured and recorded with trumpeter Booker Little on April 13 and 15 a string was... Gene Gammage, d. 1958 high school, kids would go to the world. When Scotty was dressed up for the Newport appearance own right was recorded for two,! Entering college because learning a string instrument was required of music education majors two sisters and then own... Benny Goodman in New York approved making April 3 same way ; if,. Tenor before settling on bass while in college like brothers., six months before the session Kuhn..., how was it that your brother after Ithaca college, he said I!
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